as a very personal portrait of performer, Lea Moro, the specificities of her body, its rhythms, contours, colours and energies. Together Schad and Moro engage in constellations of forming and dis-figuring, in which the body itself becomes the stage: the space, place and matter that is the subject of observation. It unfolds along the borderline between visual arts and dance, between performance and installation, between sensual experience and abstraction:
“a constantly vivid body, organ-like, which breathes, convulses, just doesn’t want to stop creating new ambiguities.”
